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NEW DEADLINE - September 15!
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NEW DEADLINE - September 15!
All are welcome to connect with amazing SLU alumnae about women's leadership, empowerment, and navigating our professional and personal journeys!
Information sessions on this fall's SLU Connect LIVE series will be held on September 3, 7, 9, 13, 15 and 17.
Wool and Water is a collaborative data art project that blends fiber art with scientific information to create visual representations of changing water quality conditions in New York State’s Adirondack...
Niio Perkins, Kanien’kehá:ka Bear Clan, is an award-winning artist whose spectacular beadwork is treasured throughout North America. Her modern aesthetic fuses traditional symbols with organic shapes and vibrant colorways, creating unique pieces inspired by the beauty of her Haudenosaunee culture.
The Richard F. Brush Art Gallery presents work by one of the most well-known contemporary American street artists, Shepard Fairey on display Wednesday, August 10 through Saturday, September 3.
We are excited to announce this year’s 1856 Challenge will coincide with St. Lawrence's inaugural Scarlet & Brown Day on April 3! On this day, we hope every Laurentian will do three things: wear Scarlet & Brown with pride, connect with a fellow Laurentian, and make a gift to support St. Lawrence.
This lecture is presented in conjunction with the exhibition Tibetan Buddhist Chenrezig Sand Mandala Healing and Compassion in Challenging Times on display at the Richard F. Brush Art Gallery. The event is free and open to the public.
Senegalese artists Simon and Docta, invited to the St. Lawrence campus through the support of the Arts Collaborative grant, will share their experiences from Senegal. They will discuss how art forms like music, hip hop, graffiti, poetry, and theater can play a pivotal role in the democratic process.
The exhibition is presented in conjunction with the 50th anniversary of Mark Klett’s graduation from St. Lawrence University in 1974. The show features 12 photographs from "El Camino del Diablo", a project based on a journey by a young mining engineer, Raphael Pumpelly, through Arizona and Mexico in 1861 on “the road of the devil.” Over 150 years later, Mark Klett traversed the same route, making photographs in response to Pumpelly’s words. Unable to trace the engineer’s exact steps, Klett created images that are not literal references to specific places or events. Rather, he sought to produce a more poetic narrative to their shared experience of the Arizona desert, along the common route that connects the two through time.