Dr. Caroline D Breashears
St. Lawrence University News

Jane Austen Senior Seminar (ENG 450), Eighteenth-Century Novel (ENG 339), Eighteenth-Century British Literature (ENG 325), Survey of British Literature 1700-Present (ENG 226), Fairy Tales (ENG 190)
Eighteenth-century memoirs and novels
Leah Farrar, summer fellowship project on the Gothic fairy tale
Elizabeth Mudie, senior independent study of *Pride and Prejudice* and its revisions
Aimee Baker, summer fellowship project on the female Gothic novel
“The Female Appeal Memoir: Genre and Female Literary Tradition in Eighteenth-Century England.” Forthcoming in *Modern Philology*.
“Scandalous Categories: Classifying the Memoirs of Unconventional Women.” *Philological Quarterly* 82:2 (2003): 187-212.
“Defining Masculinity in A Simple Story.” *Eighteenth-Century Fiction* 16 (2004): 451-70.
I love literature, so sometimes students say they like my enthusiasm. Once I came to class in eighteenth-century dress, and that certainly raised some eyebrows!
Advising the English honorary was one highlight of my time here. I've also taught in the First-Year Program, which is a great way to get to know my advisees in multiple settings. And I've gone with students to see films relevant to our classwork. For instance, last fall I met a group of students from my Fairy Tale class to see *Enchanted*.
I use the knowledge I've learned from my research to teach particular texts, and I also share my experience in writing. It's important to show that we all undergo criticism and revision during the writing process.
I want to teach students about our designated subjects (*Pride and Prejudice*, for instance) but I also want to engage them with our subjects--to help them reflect on them and write about them in meaningful ways. I try to create that engagement in the classroom by showing differences as well as similarities. (Yes, the heroine of *Pride and Prejudice* seems alien in her empire-waist gown and reticule, but she is also timeless in her desire for love, her embarrassment over her relations, and her flirtation with "bad boy" Wickham.) I prompt them to think about what our texts mean--what they're really about. And I try to help them do that by appealing to a range of learning styles--visual, auditory, and kinesthetic. Each student is different, original, and I love helping them express that.
