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The
expansion of the arts into Noble Center, and the renovation
of the Griffiths-Noble complex, offers us the opportunity
to think about how we can best serve students and community
through new spaces and through the critical, creative and
performance work that will fill these spaces.
The master plan developed for Griffiths and Noble unites
two buildings and helps draw together activities in the
arts like never before.
Renovations funding during Momentum St. Lawrence include: the Peterson-Kermani Performance Hall and the Newell
Center for Arts Technology, a new photography studio/lab,
and accessibility improvements to extend use of the building.
As all of the arts have become increasingly invested in
digital technologies, this facility--equipped with lab,
classroom, editing studio and showcase spaces--will become
a media hub for our work, opening up an innovative, productive
space for the critical and creative study of the relations
between the arts, technology and society. We also have a new
art studio, refurbishing the upstairs meeting rooms to create
class and seminar rooms, and created four new hands-on teaching
spaces for creative work in all three arts departments.
While
most colleges and universities have separate spaces, and
often separate buildings, dedicated to individual departments,
we have chosen to intermingle throughout one larger structure.
In our notions of space and use, we replicate our notions
of what constitutes vital and engaging research, study and
creative work at a liberal arts institution. We value cross-fertilization
and collaboration among departments, among faculty and among
students, and this is facilitated by the overall design.
A second and related feature of the master plan is that
while some spaces are earmarked for particular departments,
much of our real estate will be shared. While our previous
spaces forced us to be accommodating, mobile, and flexible,
we now see those traits as virtues, and envision a completed
facility that gives us room to work amiably and collaboratively
Adapted from an essay by Assistant Professor of Music
David Henderson and Associate Professor of Performance
and Communication Arts Rebecca Daniels, first published
in the University's newsletter Momentum.
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